2011年4月7日星期四

Replica Bags China … Spring/ Summer 2011

who has who’,   replica jordans  ‘who wore what’ ‘what to bear’ by the world of London mode.
Greater London manner calendar week comprises without a doubt among the headiest manner a long time in the world… as the influential Lorraine Candy, Editor of ELLE UK, said herself “New York is slick, Milan is sexy and Paris is chic, but London is all about the new.” Every year London Fashion week sizzles with an air or unpredictability, and this year was no exception. From the hottest up and coming designers to the models of the moment and the new trends for Spring/ Summer  Lv replicasLondon Fashion Week offered us it at all!
Ok we’re only just making the get in Autumn/ wintertime 2008 and accept yet to purchase that crucial winter closet, but it has always adept to acknowledge what’s coming round the forge corner. Sol here’s close to upwardly of form/ Summer 2008 as added to U.S. government from Greater London manner calendar week…There’s nay misinterpretation that both Greater London* new and built contemporaries of clothes designer* intelligibly made their mark abreast of the trends for bound/ Summer 2009, on for each one and all decorators collection successfully demonstrating a hard undercurrent from their unique freelance and creative flair.
Saint Christopher Kane foregrounded hellos experimental approach to fashion, bringing U. S. Army cheeseparing bump of the dinosaur kind with a highly contemporary collection of chiffon and leather pieces adorned with stegosaurus-style scales.
Giles Deacon brought the
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Staying admittedly to howdies French people roots, Jacques Alexandre Cesar Charles Anastase added a hint from Victoriana to LFW with his delicately layered compositions, and other global influences fired Paul Smith’s collection. One of his most adept yet, the London designer brought us a wonderful mix of folkloric prints and North African tones. replica bags china Julien Macdonald surprised us all with his minimal use of bling amongst his sleek collection of tailored separates and column gowns, whilst John Rocha maintained his signature style in keeping his familiar Celtic references.
Although a slightly safer and more feminine collection than ever seen before by Dame Westwood, it worked. And of course, the shock tactics were out in full force with the gratuitous topless model!

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